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The Latest

Xu's new work "Fiction Remix," an excerpt from her memoir-in-progress The Work Book, appears in the latest issue of New England Review (Vol 43.1)

A new essay from Xu Xi reflecting on Hong Kong today "永久性香港 Forever This Hong Kong" at First Person with Michael Judge

New Work & More

NOW AVAILABLE - The Art and Craft of Asian Stories: A Writer's Guide and Anthology by Robin Hemley & Xu Xi


Xu's essay "Where the World Unwrapped 拆開世界" appears in Looking Back at Hong Kong: An Anthology of Writing & Art ed. Nicolette Wong


Teaching Creative Writing in Asiaed. Darryl Whetter includes Xu's essay ”Compromised Tongues: That Wrong Language for the Creative Writing We Teach in Asia”


A recent issue of West Trestle Review republishes Xu's 2001 story “Democracy,” one that is surprisingly prescient for the state of democracy in the world today.


Xu's essay ”But for the Grace” appeared in Don't Look Now: Things We Wish We Hadn't Seen edited by Kristen Iversen and David Lazar. Mad Creek, 21st C Essays Series, 2020. 





Other Happenings

A few nice things happened despite this pandemic, including a "soft launch" of Xu's newest venture - the Mongrel Writers Residence™ - a virtual residence week from August 3 to 9, featuring seven Hong Kong based writers and six writers from around the world from the MFA programs Xu directed/co-directs. Co-hosted by Cha: An Asian Literary Journal with publisher/editor Tammy Ho Lai-Ming. Here's a link to the recordings of these sessions.


September 9: Worldwide Reading for the Democracy Movement in Hong Kong by Internationales Literaturfestival Berlin 2020 & Cha: An Asian Literary Journal PEN Hong Kong.

Wasifiri Review 18 Feb 2020 (392 KB)

Review of Insignificance by JR Ramakrishnan

from the reviews

"A whirlwind, wise introduction to the complicated joys of multiculturalism, This Fish Is Fowl is intensely personal yet fully engaged with the world, celebrating our differences as well as our shared universal experiences."—Foreword Reviews, starred


"Broad-ranging, introspective, and honest essays that reveal a fine writer's experiences, mind, and heart."—Kirkus


praise from other writers

"There is absolutely no one like Xu Xi. To read these smart, inventive, and always surprising essays is to be given a passport to a transnational perspective the world sorely needs at this moment. Xu Xi's sense of identity: Indonesian/Chinese/American/Hong Kong is not mixed up (though she likes to label herself a 'mongrel'), but expansive. Identity for her has almost nothing to do with borders but with a kind of echolocation—sending forth her speculations on what it means to be a traveler, a daughter, a life partner, a woman in order to determine a shifting but remarkable path through geographies of being."—Robin Hemley


"In an age of willful ignorance, parochialism, and a dominant prose style typified by misspelled tweets, Xu Xi's writing is smart, international, and fluid. She navigates smoothly between not only countries and continents but, perhaps hardest of all, family members. Here the personal isn't just political; it's global. And, most important, deeply compassionate."Sue William Silverman


"This Fish is Fowl: Essays of Being explores the life of one whose shredded passport is never large enough to hold it all. Woven into skillful family story are topics ranging from the status of Dreamers in the U.S. to the 'crying city' of Hong Kong after the Occupy Movement, all dancing around the question of what it means to belong. With so many countries gripped by a new and brutal nationalism, Xu Xi reminds us there is another side—a world lived by many between a blur of borders. Part breezy, leaping memoir, part social commentary, this book adds a crucial chapter to the old story of national identity."—Susanne Antonetta

Insignificance (2018)

From the reviews 

A keen, observant chronicler of human foibles, Xu Xi's prose is as eminently readable as ever, mostly prioritising lucidity and directness but with occasional rhetorical flourishes, and her articulation of human emotional complexity instinctively feels true to life.  South China Morning Post June 4, 2018


These stories will likely count for more than fictional snapshots of essential moments in Hong Kong's history, whatever the official version of that will be. Wasifiri 


In the media

Xu speaks to Lily Rimmer of the UK's Glass Magazine

Dear Hong Kong (2017)

From the reviews

Xu's memoir is an unique take on the love-hate, hope-despair relationship that is so familiar to those who are from Hong Kong or have made this city their home. Zolima City Magazine Aug 7, 2017


What really opens this book to a wider audience is that it's as much about the history of Hong Kong as it is about her. And a Hong Kong that is long gone . . . For a female reader the book is a joy, told as it is by a woman who comes across as a truly free spirit. The News Lens International Aug 2, 2017

Recent Media Coverage

publications & media


Edited by Jina Ortiz & Rochelle Spencer, with a foreword by Helena Maria Viramontes, this exciting new anthology is, according to Pulitzer fiction author Junot Diaz, "electrifying and absolutely necessary." Xu Xi's work is the title story and the volume features twenty-seven stories by women of color. Published in November, 2014 by the University of Wisconsin press.

ALL ABOUT SKIN named a Ms. Magazine 2014 must-read feminist book of the year.


20110823_MingPao (1.64 MB)

明 報 feature in the Ming Pao “Writing & Camels” (in Chinese): August 23, 2011

2011-Glass (1.67 MB)

UK Glass Magazine feature: March 2011

2011-CityWeekend (202 KB)

Beijing City Weekend review "subtle book. . . full of the nuances that characterize real life, love and loss."

more news

other news

In honor of Kathleen & B.T.